A brothel owner is questioned in the disappearance of the daughter of a wealthy man after she is still not returned, or told of her possible whereabouts, after the $5,000,000 ransom was paid.
A group of young women gets abducted by the Daleks.
Comedy about some schoolgirls being taught anatomy (of the sexual nature) by the sexually frustrated Barbara Moose. In bed at nighttime the girls practice their daily lessons on each other and on any unsuspecting visitors of the night. When they're not in class they enjoy frolicking around outside (naked most of the time!) experiencing the joys of nature.
Ilsa works for an Arab sheik who enjoys importing females to use as sex slaves.
A young designer falls under a man's erotic spell and is drawn into a world of sexual abandon from which she may never return.
This film was created by Sokurov before or during his VGIK student years for the regional TV of Gorki. He does not consider it a part of his filmography. For its creators, it was just a TV program, and the people who worked on it most often were being given no distinction in the credits. This document of the very origins of Sokurov gives us a notion of his "pre-stylistic" period, where the personality of the future great filmmaker reveals itself in spite of means and circumstances.
Maria Pretorius is the leader of a counseling office in a large factory. She is completely engrossed by her career and so gives the cold shoulder to her colleague Wallrodt, who wants to marry her. Only the young Manfred Thiele is successful in winning her sympathy through his perseverence. That, however, pisses off Lyda Lehmann, who has long had the hots for him.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
In the form of folds: separate areas of a piece of fabric come together, touching in new ways, at new angles. Individual sections come forward while others remain hidden. In motion, the surface of a cloth gleams like the delicate impression of light in film. The French experience includes forms from nature that are discovered, singled out or artificially employed. And parallel to this is the search for the natural in art. Leaves and flowers appear as if drawn. One’s own hand becomes an object, a figure. How are the leaves arranged on a tree? It is a culture of the aesthetic, in the original sense of that which refers to perception.
Filmmakers Robert Kenner and Melissa Robledo reunite with investigative authors Michael Pollan and Eric Schlosser to take a fresh look at our efficient yet vulnerable food system.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
A young student (Mel Lisboa), a literature professor (Felipe Camargo) and a wounded warrior who is always with his face covered (Sergio Marone) are three militants, who are confined in an apartment in Belo Horizonte. There they confront their emotional and political options, involving loyalty, betrayal and desire.
A 40 years old unknown actor, Ho-jun, runs a fishing YouTube channel. The day after he fails an audition, he goes to a fishing spot to shoot YouTube videos. There, he bumps into director Nam and actress Hee-jin, who has already been cast in a leading role. Three small fries are wandering in the reservoir.
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