A graduate student discovers her nightmares are actually visions of real-life murders committed by a man known as the Clock Killer. Joined by an unbelieving detective, she decides she must stop the killer herself, or become his next victim.
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
Sarah is depressed and lonely after her best friend dies. She follows a handsome man, Charlie, into a church where he attends AA meetings. Sarah lets him believe she is an alcoholic too, but when she falls for him, she must come clean and admit that she lied and she's not an alcoholic.
This film refracts Donegan's earlier performance work through the lens of a studio art practice. The artist subverts the tradition of studio painting by using a computer to make simple line drawings. Later, the computer is transformed into a canvas through the regressive act of directly marking the monitor. Painting is related to scatology as a correlation is made between art making and infantile fantasy.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
A wealthy widow, a restless housewife, and a former model seek to reshape themselves through cosmetic surgery to please the men in their lives.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.
This art film is a rare bamboo puppet cartoon. When deer, cows and birds were drinking and playing together by the pond, a snake came to them quietly.
Inspired by the mysterious final days of Edgar Allen Poe, a writer becomes a prisoner of his own macabre work in mid-1950s Western Europe.
Tess Hooper is a diligent and earnest cinema studies student, haunted by a shameful incident from her past. One by one Tess's friends end up brutally murdered after opening the "Watch Me" email, a file that spreads through electronic address books to seek its next victim. All murders bear the same traits: a red-headed woman in a yellow dress, an internet connection, the victims' eyes sewn shut. As Tess becomes the next target in line, she finds herself seeking answers from Taku, an illegal film dealer with the unsavory nickname of "freak boy" and the moral integrity of a rattlesnake. But showing up voluntarily at Taku's lair, Tess finds herself in even more danger than when she was on her own. If the two can survive each other, they may just be able to live through this deadly email. As the clock ticks and the body count mounts, the two must untangle the puzzle to stop "Watch Me" from its poisonous rampage.
James M. Collier outlines his theories on the supposedly faked moon landing.
Upcoming Polish feature from director Joanna Zastróżna.
Marc Hill is the attorney for Emmet Devrey, a real estate developer with a past, who is being blackmailed by his former partner Sam Baggett. When Sam's unfaithful wife Marge cooks up a scheme with her used car salesman lover Jeff Calder to bilk both Devrey and her alcoholic husband, Sam is killed and Devrey is accused of the crime. Mark is called to prove his employers innocence.
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Written as a reading of a screenplay of the popular soap opera Dynasty, “The Kiss (let’s play Dynasty!)” stars Francesco Vezzoli and actor Helmut Berger, who appeared in several episodes as a conniving playboy. The artist gives the part of Alexis Carrington, made famous by Joan Collins, to Berger while he plays her son Steven, the first bisexual character in American television. After a heated argument about Steven’s love affairs and the extended family, the pair reconcile with a kiss. The act combines the fantasy of Oedipus with the artist’s deep interest in filmmaker Luchino Visconti, Berger’s mentor and romantic partner.
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