A psychological thriller set in the world of underground dubstep, Snap is the story of Jim Whitman, a brilliant but painfully introverted musician who develops a crush on a young social worker.
A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act.
Two young men — a Palestinian grad student and an Israeli lawyer — meet and fall in love amidst personal and political intrigue.
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
Experts set out to prove that female great white sharks rule the ocean.
One image, in particular, is likely to haunt viewers: that of many men huddled together on the back of a truck. The men are headed northward, from Niger to the coast of Algeria. Just how long they will be travelling depends on countless unknowns. And once they’ve reached the African coast of the Mediterranean, they’ll still be far from their goal, for it is only then that their dangerous attempt to cross the sea to Europe begins. Theirs is a journey in hopes of a better life – one that frequently ends in death.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Photographer Francesca builds Maia's confidence while having to control her own obsessive and sexual desires towards Maia. As they spend more time together, Maia becomes the object of her obsession and things slowly spiral out of control.
Original 1973 short promotional documentary on the making of the 8th James Bond movie Live and Let Die (1973).
Concerned parents hire a private detective to tail their son because they think he might be gay.
Probably part of the "Alaska and Yellowstone National Park Series" in the "Northern Pacific Railway Series"
Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.
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