Jaan Se Pyara (1992)

Suhaag

Collegian Ajay Sharma was born on 2nd April 1968 and lives in Bombay with his widowed mom, Asha. He is friendly with fellow-collegian, the wealthy Raj Sinha, and both often end up getting beat-up by goons and Madhu (Raj's girlfriend) respectively. After they graduate from college, Raj's maternal uncle asks Ajay to bring his birth certificate so that he could make his passport and find work for him in a department store in Canada. Ajay goes home to look for his birth certificate, but is unable to locate. His mother makes a show of helping him, but instead tears a document and tosses it outside. Ajay puts the document together and finds out that his real name is Ajay Malhotra, his father, Dr. Ravi Malhotra, is still alive, serving a life sentence in prison for killing and stealing a patient's organs. Ajay questions his mother and finds out that his dad was framed by the hospital owner, Rai Bahadur. He and Asha meet Ravi in prison and swear to avenge his humiliation.

MacNab's Visit to London

A keen Scots golfer wrecks his host's house.

The Revamping of Dracula

A behind-the-scenes look at the making of "Dracula" (1979).

Rosamunde Pilcher: Amys Wunschkind

Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.

Mighty Fine

Set in the 1970's, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family--wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)--from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe's spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein's memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.

In These Parkas We Can Only Be Warm

Two parka-adorned silhouettes engage in a barely-audible conversation about Snapchat, grades, money, and other unintelligible topics, until one notices something on the other's glasses. It is not ice.

Auferstanden aus Platinen - Die Heimcomputerszene in der DDR

Kizhakkunarum Pakshi

Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.

Quis Ser Grande e Morrer Contigo

Até Onde Pode Chegar um Filme de Família

Reminiscences (1909-26), family film by Ouro Preto filmmaker Aristides Junqueira, collection of the MAM-Rio Cinematheque and Brazilian Cinemateca, is unveiled in his stories and points of view in the form of a filmic essay with archive footage, family scenes, interviews and voiceover to tell the unknown biography of a Brazilian film pioneer.

Ward No. 6

Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.

Dr. Lamb

An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.

Don't Be a DICK!

Animated documentary that investigates the representation of male body image across history and modern porn culture with humor and shocking facts.

Empire of Madness

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Cheaper to Keep Her

A newly divorced swinger on the prowl goes to work as a detective for a neurotic feminist attorney.