As Manny has second thoughts about getting married, he is visited by an unexpected guest.
Against the stereotypes of the “ideal” woman and the symbols of Pornography, the women in the works of Greek comic artist Stavros Kioutsioukis preserve their personality: they are the girls next door who try and get their rights in Happiness and Love.
A behind-the-scenes look at the making of "Dracula" (1979).
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.
Dan's ham-fisted attempts to get 'new' mother Mia into bed with hilarious, emotional and musical consequences.
Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.
Priest nags a crusty old man into reconciling with his daughter-in-law and granddaughter after the death of his son.
Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.
Stuck in a loveless marriage to intellectual George Tesman, the ambitious Hedda Gabler hungers for a life her husband can't provide. Then a former flame, the successful Eilert, enters the picture, violence and blackmail aren't far behind.
Set in the 1970's, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family--wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)--from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe's spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein's memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
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