In a post-apocalyptic world, a young woman fights for survival as she recalls traumatic events from her childhood.
A wife borrows a necklace for a party, and it is subsequently stolen. Her husband embezzles funds to pay for the loss, but he is discovered and arrested.
Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.
Fur theives are looting the traps on the ranch where Roy is foreman and they have murdered one of Roy's friends.
The year is 1919 and it's forest rangers versus poachers in the Dolomite mountains in this Italian drama based on a morality tale by Dino Buzzati. The first scene, which contains no dialog, depicts the murder of a young ranger in the snowy peaks. Barnabo is a taciturn young ranger new to the mountains. He is a pacifist and is uncomfortable carrying his rifle. Upon his hand is a stigmata that periodically bleeds. The poachers murder another ranger. This time it is the commanding officer. The rangers organize a patrol to find them, but they are unsuccessful. It is Barnabo who locates them. They escape because he is unable, or afraid to shoot them. He is dishonorably discharged and now finds it hard to escape the label of coward. He leaves the mountains and becomes a farm-hand. While he labors, he reflects upon the experience and those of his life. A internal moral struggle ensues as he tries to make sense of it all and find some inner peace.
FADED PHOTOGRAPH is a documentary in which the filmmaker traces the existence of her father, who died when she was 12, through a montage of his memoirs. From family films shot by her paternal grandfather and her father between 1954 and 1998, and the diaries he wrote during his life, the director tells the story of an ordinary man whose personal memory echoes a collective memory : one of a generation bursting out of Quebec's great darkness in which freedom is also synonym of disorientation. Thus begins a dialogue marked by nostalgia, between joyful videos and tormented writings, which soon becomes universal.
Documentary about children stolen during Argentina's dictatorship that collects testimonies from kidnapped between 1976 and 1983. During these years, thousands of people were kidnapped and murdered with impunity. In many cases, the state appropriated the newborns of pregnant women at the time of his abduction. The disappearance of 500 children is one of the darkest legacies of this period. However, the tireless work of the Grandmothers of the Plaza de Mayo became possible that a hundred of these children were returned to their families.
A killer goes on a killing spree at a heavy metal club.
A saloon owner falls in love with the abused wife of a heavy gambler. He is snared into a web of intrigue when an ex-girlfriend is found murdered in his apartment.
The rise and downfall of a family over the course of 20 years, in one living room, in a single shot.
Titled Colossi of Love, the documentary highlights the halcyon days of the kamaki (Greek for harpoon) suitors in the 70s and 80s when droves of women from mainly Scandinavia, Germany and Britain flocked to the Greek islands.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
Della's friend is accused of murdering a rival fashion magazine editor.
This historical drama addresses European immigration to the Americas (in this case to Buenos Aires, Argentina) during the last two decades of the 19th century. Among its main characters are a Spanish immigrant, a German one, and an established "Argentine." They compete for the affection of a more established female Spanish immigrant, now a successful businesswoman, albeit a prostitute.
The movie makers are filming the next installment of the western serial "Get Your Man". The movie's leading man wants his stunt double to do the next dangerous stunt. Purely by accident, a hapless, cross-eyed aspiring actor named Joe Magee ends up doing the stunt perfectly. He ends up doing dangerous stunt after stunt, all by accident, that fit the movie so perfectly that the movie's leading lady wants him in the picture. The exasperated director finds that getting Joe to do the stunts on command is an entirely different story.
“Moving objects” are the subject of this film, a portrait of six Dutch theater groups that make performances with puppets and other objects. Manipulation and creating illusions is their profession. For them, the visual aspect of theater making is of great importance. These theater makers all have a special relationship with fine arts, they often use theater as a complement to express themselves. This form of theater has a great variety: from traditional to contemporary visual art events and everything in between. However, the starting point is always the same: bringing objects to life. By following theater makers with the camera - before, during and after the performance - we get to see things that otherwise we would never get to see: improvisations, dilemmas, the carpentry and construction. The film confronts the audience with the ingenuity of the performers and explores the genre through observation and dialogue.
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