With holiday chores piling up and a cookie-stealing villain on the loose, Strawberry and her Berry Buddies must work together to save Winter Swirl.
A portrait of teen escort, 'Coco'.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
An unlucky Birthday boy must fight for his life against a masked psychopath.
Documentary about the milk farmer Bertil Nilsson
A featurette that sheds light on the filmmaker’s approach, and how he turned a character-driven domestic drama into one of the 2018’s most harrowing cinematic experiences.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Ashley was dying to make a horror movie. Too bad she didn't live long enough to see it. The horror movie was never finished, but now you can witness the horrifying killing spree that was captured on the behind-the-scenes footage.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
Neznayka discovers the joy of escaping abusive relationships and the concept of communism
During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?
Mr. Landry Smith, a secretive man, lives in Corrèze with his ward Minnie. Two strangers arrive to Smith's country estate-- each of them with a possibly sinister plot in mind.
Two different worlds collide: the wealthy influential people on the one hand and the poor and honest on the other hand. Sin, a wealthy boy had been spoiled by his parents and has never realized the importance of self-dependence and how to become a responsible man. The boy lives his life relying on his parent's wealth and power, making him even more arrogant and pompous. Lud, a mute middle-aged man came from a rural area to be a motorcycle mechanic in Vientiane. His wife worked as a market woman and they had a six-year-old daughter. Though Luds life was simple, his family was warm and loving. One day Lud unexpectedly faces the greatest loss of his life caused by Sin.
Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.
A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.
A photographer turned paparazzi is caught in the downward spiral of a fabricated tabloid story.
Manchuria 1941: Caught sleeping with his Japanese major's mistress, Manchurian collaborator Tung Fei (Jackson Liu Hsiu-hsien) fatally shoots the man and flees for his life. Overcome by fatigue after hours of travel on horseback, Tung eventually awakens to find himself under the care of hunter Suen (Dick Wei) and his daughter, Ironic (Hsu).
Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.
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