Wile E. Coyote uses, among other things, a dehydrated boulder to try to catch the Road Runner.
Wile E. Coyote uses a bottle full of bees, a brick wall, a boulder in a catapult, and a harpoon gun in his attempts to catch the Road Runner.
Tweety and Sylvester are Granny's pets in the Spinsters Arms Hotel, where pets aren't allowed.
Sous un ciel changeant. Jean-Claude Rousseau uses his signature black frames to create Durasian elisions between painterly, Corot-conjuring tableaux.
A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
An undercover agent uses his rare personality disorder in pursuing the drug-cartel leader responsible for the deaths of his wife and kids.
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
Bouya Harumichi is a new transfer student to Suzuran all-boys high school, a place where only the worst delinquents assemble. Due to its large amount of delinquents who are hated by the general people for their inauspiciousness, similarly to crows, it is also known as "Crows High School." Harumichi is an insanely strong fighter but has an irresponsible personality. How will he act in this new environment where everyone is a delinquent?
Lena owns a forgotten bar next to a highway where the trucks zip by but rarely stop. She is eight months pregnant and has been abandoned by her former lover, Colonel Mattos, of the São Paulo police. One day, she meets Vilela, a former policeman wanted for a crime he committed in São Paulo. Colonel Mattos was Vilela's superior, and his presence is continually felt by the pair. Two further elements add texture to the plot - the inhospitable landscape and the new baby's crying, which slowly makes life unbearable for the couple. Based on an original stage play by Fernando Bonassi, the film delves into the souls of two Brazilians isolated in one of the country's nameless reaches. A love story and a metaphor taken to extremes: a glimpse at an unequal society which excludes many of its citizens, pushing them into violent adventures of love and death.
Original 1973 short promotional documentary on the making of the 8th James Bond movie Live and Let Die (1973).
One image, in particular, is likely to haunt viewers: that of many men huddled together on the back of a truck. The men are headed northward, from Niger to the coast of Algeria. Just how long they will be travelling depends on countless unknowns. And once they’ve reached the African coast of the Mediterranean, they’ll still be far from their goal, for it is only then that their dangerous attempt to cross the sea to Europe begins. Theirs is a journey in hopes of a better life – one that frequently ends in death.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
A resentful entity continues to come back to the Saha World in search of his lost love while battling against the secret guardians of the world. He fails his plan of trying to stay in this world but finds the true solution to his vengeance.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
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