A horror writer is targeted by a serial killer inspired by her books.
A grieving young inventor finds solace in repairing an antique typewriter.
The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Mrs. Linda Randolph treks through darkened jungles to the land of Maradu to find her missing husband Allan, who'd left her years before when he believed she was in love with another. She finds Allan the drunken court physician to a devious prince-- Whose designs on the pair don't include a happy ending.
After realising his foolishness in malingering, Ken returns to Tekong to continue his Basic Military Training, and reforms himself as a model recruit. However, this draws dislike and mockery from his section mates, led by the street-smart Lobang.
Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
The story of the first love of two schoolgirls, pure and sincere, that destroys their entire world.
Based on Nicolai Gogol's "The Diary of a Madman," a poor, bachelor clerk paranoically mutters his complaints to the camera: the menial nature of his job, his unrequited love for the boss's daughter (Sofi), and what finally develops into a murderous hatred for mankind.
After a tense few months following a miscarriage and an unemployment spell, things are finally looking up for Sean and Lisa Miller when Sean lands his dream job at an advertising firm. But when Sean’s assistant, Jen, his self-proclaimed “Work Wife,” begins vying for his affection, it soon becomes clear that she will stop at nothing to rip their marriage apart and claim him as her own.
A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.
BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.
A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.
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