Cursed Psychic Video XXX 8
The 11th and scary psychic documentary!! Includes six tapes; "The illusion of channel 0", "The camera is alive.", "remaining pictures", "Rain housing complex", "Drone hearing" and "Katashiro".
The teams of the 'Not Found' and 'Honto Ni Atta. Noroi No Video' franchises join forces to bring you a collection of forbidden videos that will drag you in if you're not careful enough.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
An unlucky Birthday boy must fight for his life against a masked psychopath.
Adaptation of Joseph Conrad novel about lust and violence on a South Seas Island.
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.
In 1945, twelve million homeless children wandered through the rubble of a Europe that had just emerged from the deadliest conflict it had ever known. An unprecedented number of children were separated from their parents or orphaned. Under the guise of the best interests of these children and of the nation, France, the United States, Great Britain and the countries of Central Europe embarked on a veritable race for children. By demographic opportunism, by fear of seeing them indoctrinated by a new totalitarianism, these countries move and adopt these orphans, erasing their history and their identity.
Chatelard, one of Viscount de Kerlec's guests, has died in mysterious conditions. The police initiates an investigation and sends detective-inspector Pauc to de Kerlec's manor. Pauc decides to mingle with the viscount's guests , who are all likely to have committed the murder. Among them, there is Jacques Mauclerc, a naval officer, and a seedy character named Bartoli, in fact a spy in search of secret documents. Pauc will end up untangling the web during a dramatic séance.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
A fly-on-the-wall mockumentary following the day-to-day reality of being Nigel Farage. How does a man forever in the spotlight fill his days now he has nothing to do?
After learning that his girlfriend recently broke his typing test record for a friendly competition, Danny attempts to gain the record back in the middle of a work meeting.
A theater group is training for the play Lapualaisooppera. We see these young people hanging out and talking about what goes on around them. Also sexual matters are involved there and this girl, Tenu, becomes pregnant to Hessu.
The title Dal polo all'equatore was first used by the pioneering documentary maker, Luca Comerio, for a compilation film of 1925; it was used again by Yervant Gianikian and Angela Ricci Lucchi for their film of 1985. Much of the original has been re-worked: the 'found footage' has been re-shot, slowed down, tinted, and re-edited with a sound track of minimalist composition. As a result, the exotica of colonial travel and sport take on new and sinister meanings. The acts of violence, especially those of hunting, recur in patterns that suggest visually that war is a logical development. A close examination of the work, starting with the opening sequence of a railway journey, explores the centrality of questions of memory and history to this remarkable and influential film.
Nami (波 Nami) is a Japanese film directed by Noboru Nakamura. It was entered into the 1952 Cannes Film Festival.
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