On the run from relentless redneck cultists, a lone girl finds herself trapped in a cycle of violence and death.
A shot-on-video straight-to-television comedy adaptation of the Frankenstein story. Co-written by, and starring Gary Cohen (director of Video Violence).
Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
Diana, a pregnant architect, is hired to work in the renovation of the old Cinema Khouri, abandoned after the tragic death of a child. However, when she gets trapped inside there, Diana discovers the old cinema is not only alive, but hides an entity that wishes to keep her in there forever.
Haunted by horrific nightmares, Beverly seeks professional help to keep her sanity. She is desperate to find a way that will separate her nightmares from reality.
Arnold, a school kid with a vacant stare and hair sticking out, takes the bus to school. He sits idly through lessons. Then, it's time for band, where he plays the piccolo. He daydreams through the Vienna waltz, imagining himself ice-skating, and sending the school bully into the cold water by cutting a circle through the ice around him. The band plays a second song, and Arnold imagines spring. The music ends, the room empties except for Arnold. The teacher says, "Arnold, everybody's gone to recess."
In these two live concerts, rock's legendary Allman Brothers Band whip up the kind of excitement their fans have loved for years. This pioneering Southern rock band, including Gregg Allman and Dickey Betts, blazes through their classics in a concert performance live from Gainesville, Florida. Then the band rocks for more than an hour at the Capitol Theater. Also included is rare footage of an on-the-road hotel room jam session and a peek at a private acoustic "unplugged-style" session in a recording studio.
A group of friends stumble across a jewellery box with a curse. Fighting for their life in the wilderness, they are picked off one by one by a malevolent force.
It's a beautiful day in Slottsskogen, Gothenburg idyllic city park, when suddenly the unthinkable happens - gunfire amidst all people. Two gangsters shooting game against each other and a large police operation starts. The conflict grows rapidly to involve several gangs from Gothenburg underworld. GSI switched to try to identify a new thread which proves to be both larger and better armed than any other. The only clue is a tattoo on one of the killed gang members.
Unspooled through a series of vignettes, this slice-of-life tale follows a group of young college graduates who are forced -- because of a bleak economic environment -- to shack up with their parents and settle for low-paying jobs.
The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.
Eddie Black is a first year college student on the honor role, but after financial hardship and a broken heart, he attempts refuge in a street gang called Decepticons.
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
1996 Spanish horror film that is the eleventh in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. Following his near-fatal heart attack in 1991, Naschy made this film as an intended comeback, but it was poorly distributed and received bad reviews.
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