A humorous but incisive look at the saxophonist Kenny G, the best-selling instrumental artist of all time, and quite possibly one of the most famous living musicians.
A look at the marketing, advertising and merchandising of the James Bond movie Goldfinger (1964) including trailers, interviews, TV spots and rare promotional films.
A comprehensive reminisce at each chapter of former NFL quarterback Michael Vick’s saga–the incredible rise, shocking fall and polarizing return.
November 2004, 90 miles off the coast of Mexico near San Diego, California, the Nimitz Carrier Strike Group was conducting routine training and aerial defense exercises when unexplained events occurred. Aerial craft would appear that forever changed all those that encountered them. Based on the true story, official US government docs, witness statements, and news reports.
At the 1960 U.S. Open, aging legend Ben Hogan dueled talented amateur Jack Nicklaus and emerging superstar Arnold Palmer play in an exciting final round clash to determine the 1960 U.S Open Champion.. This documentary chronicles a seminal event in golf that represented the changing of the guard as the three battled to the wire for golf supremacy of the era.
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
At the Edge of the World chronicles the controversial Sea Shepherd Antarctic Campaign against a Japanese whaling fleet. The international volunteer crew, under-trained and under-equipped, develop a combination of bizarre and brilliant tactics with which to stop the whalers. But first they must find the Japanese ships, a far more difficult challenge than ever imagined - long-time activist Paul Watson and first-time captain Alex Cornelissen employ an array of strategies in the hopes of finding an elusive adversary in the vast expanse of the Ross Sea. With one ship (the Farley Mowat) too slow to chase down the whaling fleet, with their second ship (the Robert Hunter) unsuited for Antarctic ice conditions and with no country supporting their efforts to enforce international law, the situation becomes increasingly desperate. Against all odds, however, a real-life pirate tale unfolds - a modern-day "David vs. Goliath" adventure.
Eight of the world's best surfers—four legends and four rising stars—search for new waves and deeper understanding in exotic destinations.
Jon Stewart performs a solo standup routine, telecast live from Miami, Florida.
Turning 50. Finding love again. Buying a house. Experiencing existential dread at Denny's. Life comes at Patton Oswalt fast in this stand-up special.
One of the most significant UFO events in history -- Travis Walton's 1975 UFO experience comes alive in this 90-minute documentary. His trauma and transition after a mysterious beam of light strikes him unconscious.
An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.
Jonas Elrod woke up one day with the ability to see and hear angels, demons and ghosts. Filmed over the course of three years, this documentary follows Jonas and his girlfriend as they try to understand the phenomenon.
About a young Chinese-American author's journey into the darkest reaches of humanity as she researched and wrote her best selling book "The Rape of Nanking". Iris Chang's harrowing experience and dogged determination uncovers in graphic detail the forgotten holocaust of World War II when almost 300,000 Chinese women, children and soldiers were in a matter of weeks systematically raped, tortured and murdered by the invading Japanese forces.
In 1999, filmmakers Joe Brewster and Michèle Stephenson turned the camera on themselves and began filming their five-year-old son, Idris, and his best friend, Seun, as they started kindergarten at the prestigious Dalton School just as the private institution was committing to diversify its student body. Their cameras continued to follow both families for another 12 years as the paths of the two boys diverged—one continued private school while the other pursued a very different route through the public education system.
Montreal of another time is reborn into screen through images from a hundred of movies and shorts produced by the National Film Board of Canada while at its first four decades of existence. Port activities, musical shows, presence of Church, labors life, hockey fever and the best years of "Red Light" are few of the chapters of this collective family album.
An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.
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