Disguised as a peaceful sheepman, Clayburn is actually a government ranger sent to Point Rock to find the leaders of a band of rustlers. When he is himself accused of being one of them, Nell saves him from a lynch mob and together they round up the real outlaws.
A pony express office. Porky's only allowed to clean up and lick envelopes. When a rider comes back...
Western Slapstick. A good chance to see Al St. John moving into the western comedy sidekick that would be his bread and butter role for the next twenty years. Also, it's a rare screen opportunity for Addie McPhail, Roscoe Arbuckle's wife and therefore Al's aunt.
After an embarrassing encounter with his crush, socially awkward Boy Scout Brody finds his life uprooted when an old west cowboy mysteriously appears in the wilderness. Although an unlikely pairing, Brody and the cowboy find themselves learning things about each other, as well as themselves.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land.
Historical drama about the career of a hit-man who specialized in political assassinations in Mexico in the 1920s-30s.
Seeker Dean has found the gold he has been looking for for 15 years. Heading for the Government office, Boone Jackson kills him. Kickabout finds a cryptogram as to the gold's location and Sergeant Kinkaid solves the puzzle. But Jackson learns of the gold's location and to get it, he sets out to dynamite the dam that would flood the entire communuty.
A marshal is sent to clean up a mining town being terrorized by an organized gang that is killing miners and stealing their claims.
Outlaws of Sonora is a 1938 American Western "Three Mesquiteers" B-movie directed by George Sherman.
In this western, the hero takes a Mexican vacation, gets caught up in a revolutionary plot with the powerful owner of a hacienda, and falls in love with the rancher's daughter all at the same time.
It's Christmas, and a young woman is on her way to celebrate the holidays with her parents. A group of drunk cowboys startle her horses making her wagon, with the woman on it, speed off. By chance Broncho Billy saves her life and the grateful girl invites him over for Christmas dinner. Little does he know that the young lady is the Sheriff's daughter…
The pageantry of Calgary's colorful celebration of its past, culminating with its world famous rodeo, is chronicled.
One-armed man tracks the people who killed his father.
Loki's Daughter is the story about Loki and how he brought dark magic to the humans to challenge gods and create chaos.
A romantic Western in which Bill kidnaps Nany so that his younger brother Jim can rescue her.
A federal agent goes undercover in order to capture a gang that's been smuggling munitions and horses near the Texas border.
Yosemite Sam and Bugs battle it out over property rights above Bugs' rabbit hole.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
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