GWAR, the bloodthirsty alien antiheroes, conduct a worldwide telethon to feed souls to the World Maggot, which will transport the members of GWAR off our miserable planet once it grows. GWAR's tele-casts attract the attention of GlomCo, the world's monopolistic entertainment giant. GlomCo attempts to bribe GWAR's manager, Sleazy P. Martini, into selling GWAR out to the mainstream of Sunday morning cartoons. GWAR's revenge on the sniveling executives at GlomCo uncovers a dastardly plot to homogenize all humanity by the evil doctor Skulhedface!
Recorded at Hyde Park in London, June 17th 2006, this 76 minute performance sees the Foo Fighters rock through some of their most popular material in front of a massive crowd, quoted in some media as nearly 100,000 people. At the time of this show, the band were touring in support of their excellent double album, In Your Honor. There have been a number of different members come and go in this band, however their current line-up has been the most stable.
Opening with torch-wielding villagers and a wall bleeding oil, this experimental film attaches vivid scenery and strange characters to the wonderful melodic wavelengths of the band Animal Collective, revitalizing the lost form of the "visual album."
After her boyfriend rejects her marriage proposal, thirty four year old Leah Schwartzmann checks herself into a retreat which promises to take less-than-perfect women and transform them into "Marriage Material."
A beautiful cabaret dancer falls in love with a sailor who promises to return and marry her. Trouble ensues.
Based on the spectacular rise of bandleader and vaudevillian Harry Roy, this is the comic tale of a Ruritanian princess who elopes with a dance-band leader.
With Saitama no rappa 2 (AKA 8000 Miles 2 – Girls Rapper), Yu Irie tells the story of amateur girl rappers who dream of a small big-time. The film opens with Saitama 1 B-boys, Ikku and Tom coming to town. They run into young Ayoma (Maho Yamada), inspiring her to gather her girlfriends and work up their rap routine.
A reinvention of the Greek myth of Orpheus and Eurydice, set in contemporary Manila as a rock musical.
Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.
Continuation of "The History Of Iron Maiden" documentary series, following 2004's The Early Days and 2008's Live After Death. Band members, crew, friends and associates talk about the period in the band's career which saw the writing, recording and release of the Somewhere In Time (1986) and Seventh Son Of A Seventh Son (1988) albums, their respective tours (1986-87's Somewhere On Tour and 1988's Seventh Tour Of A Seventh Tour), and the recording of the Maiden England live video.
In 1876 Philadelphia, two sisters vie for the affections of a Frenchman who's come to town to prepare the French pavilion for the Centennial exposition.
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.
The mismatched couple hosts a holiday-themed variety hour featuring skits, bits and musical visits from Ashlee Simpson, Brian McKnight and the guys from 98 Degrees, who join Nick for a rendition of “I'll Be Home for Christmas.”
David Tennant talks to Craig and Charlie Reid of The Proclaimers about a 30-year career that has seen them become one of Scotland's most iconic bands.
THE NEAL MORSE BAND, featuring MIKE PORTNOY, the 38 musicians on stage create a prog orchestra. Saturday night's performance of the Sola Scriptura album. Free from the constraints of studio recording deadlines, MORSE added any instrumentation he imagined, including live strings, a 5-piece horn section, and a 14-piece choir (in addition to background singers, and the vocals of the band). At the center is THE NEAL MORSE BAND: singer/guitarist/keyboardist Neal Morse, drummer Mike Portnoy, bassist Randy George, keyboardist Bill Hubauer and guitarist Eric Gillette.
The original line-up of the one of the most important jazz-rock fusion groups of all time, featuring John McLaughlin, Jan Hammer, Billy Cobham, Jerry Goodman and Rick Laird.
Timmy dreams that he and Brushbrush win a dream vacation to Molar Island. Timmy ends up helping the locals when the ancient crown of King Cuspid has been stolen by the Gingivitis Tribe and the island will sink if the ancient crown of King Cuspid is not returned to the hole it was placed over.
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
Set in Athens, this Greek film concerns the trials and tribulations of two girls from the village of Korfu. Unschooled in big-city ways, our heroines are prime targets for every sharpster and lothario in the city. The results of their naivete are more comic than dramatic, culminating in lasting romance for both ladies. The plotline is periodically interrupted by the performance of Greek folk dances, easily the highlights of the film. Indicative of the frugality of the Greek film industry is the fact that, at $80,000, this was the country's most expensive production up to 1957!
Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive
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